FIRST NIGHT | VISUAL ART

Anish Kapoor in Venice review — an engrossing takeover that’s profound as well as fun

Gallerie dell’Accademia/Palazzo Manfrin, Venice

Symphony for a Beloved Sun, 2013
Symphony for a Beloved Sun, 2013
PHOTOGRAPH: DAVE MORGAN. © ANISH KAPOOR. ALL RIGHTS RESERVED SIAE, 2021
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★★★★★
Do you come over a bit queasy at the sight of blood, guts and gore? Then this might at first seem like a show to put your stomach to the test. You could easily imagine that you have just stumbled into a warzone, watched an explosion taking place in an abattoir, borne witness to a childbirth . . . from the grisly end.

Massive canvases — clotted with crimson, coagulated with scarlet, veined with vermilion, streaked with sinewy whites — immerse you as you enter the first gallery. A crimson wasteland of wax stretches, bloody as some abandoned battlefield, away to one side. And is that the flayed skin of Marsyas that lies draped in the adjoining room?

Anish Kapoor
Anish Kapoor
GEORGE DARRELL

With the opening of the Venice